Freelance Game Developers in Islamabad Capital TerritoryFreelance Game Developers in Islamabad Capital Territory
ProjectsPeople
Altamush Nayyer Khan's avatar
Altamush Nayyer Khan
Islamabad Capital Territory, Pakistan
Professional Game Developer, Designer & Music Producer
1x
Hired
5.0
Rating
4
Followers
Professional Game Developer, Designer & Music Producer
Cover image for We created a space invaders
We created a space invaders type game with multiplayer features in Unity. This is part of our game development services.
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Cover image for We created a complex visual
We created a complex visual novel system in the Unity Game Engine, as part of our game development service. The game is able to read CSV files and create the story based on the text that is present inside. If you wish to get a game developed by us, please drop a message.
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Cover image for The client wanted us to
The client wanted us to create an orb with a special effect for their meditation app. We did that as part of our game development service! If you want to get your game done by a professional with over 11 years of experience, please contact me.
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Cover image for A very simple job was
A very simple job was completed for a client. We had to extract a Unity Package for a client, and we did that. Job done!
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Game Developer(10)
Talha Ahmed's avatar
Talha Ahmed
proIslamabad, Pakistan
CTO | AI, Three.js/WebGL, Full-Stack & SaaS Expert
5.0
Rating
11
Followers
CTO | AI, Three.js/WebGL, Full-Stack & SaaS Expert
Cover image for 🚀 Rush Runner – Built
🚀 Rush Runner – Built with React, Three.js & WebGL Excited to share one of my recent projects: Rush Runner, a browser-based 3D endless runner built using React, Three.js, and WebGL. This project demonstrates how modern web technologies can deliver smooth, interactive 3D experiences directly in the browser—without requiring users to install anything. 🛠️ Tech Stack ⚛️ React 🌐 Three.js 🎮 WebGL 📦 Vite 💻 JavaScript / TypeScript ✨ Features High-performance real-time 3D rendering Responsive controls and smooth gameplay Optimized assets for fast loading Interactive camera and lighting Cross-browser compatibility Scalable architecture for future game features Projects like this showcase what's possible with Three.js beyond product configurators and BIM viewers—from interactive games to immersive marketing experiences and Web3-ready applications. If you're looking to build: 🎮 Browser-based 3D games 🛍️ 3D product configurators 🏗️ BIM/IFC viewers 🌍 Virtual tours 🤖 AI-powered 3D applications 🔗 Web3 experiences I'd be happy to help bring your idea to life. #React #ThreeJS #WebGL #JavaScript #GameDevelopment #3D #Frontend #InteractiveWeb #Web3 #AI #CreativeDevelopment
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Cover image for Innovative 3D Jewelry Configurator Showcasing Premium Designs
Interactive 3D Jewelry Configurator & Product Showcase Full Description Developed a premium 3D Jewelry Configurator that enables customers to explore and personalize jewelry through an immersive browser-based experience. The platform features real-time 3D visualization, interactive product rotation, metal customization, realistic gemstone rendering, smooth animations, and responsive controls. Built using modern WebGL technologies to deliver a luxury digital showroom that enhances customer engagement and online product presentation. Similar configurators are increasingly used by jewelry brands to let customers preview metals, gemstones, and designs before purchase. Role Senior Full Stack Three.js Developer Work Description Led the end-to-end development of a luxury 3D Jewelry Configurator, creating an immersive digital experience for showcasing premium jewelry collections. Built the interactive frontend using React, Three.js, React Three Fiber, TypeScript, WebGL, and GSAP, enabling photorealistic rendering, real-time material customization, smooth animations, and responsive 3D interactions. Optimized 3D assets and rendering pipelines to deliver a fast, high-quality experience across desktop and mobile while maintaining scalability for future product collections. Technologies React • Three.js • React Three Fiber • TypeScript • WebGL • GSAP • GLTF/GLB • HDR Lighting • PBR Materials • Node.js • REST APIs Key Contributions Built a luxury 3D jewelry experience Real-time metal & material customization Photorealistic gemstone rendering Smooth 360° product interaction Performance optimization for WebGL Responsive cross-device experience
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261
Cover image for Interactive 3D Car Configurator &
Interactive 3D Car Configurator & Vehicle Customization Platform Description Led the end-to-end development of a browser-based 3D Car Configurator & Vehicle Visualization Platform, delivering a premium digital showroom experience for automotive businesses. Architected and developed the interactive frontend using React, Three.js, React Three Fiber, TypeScript, WebGL, and GSAP, enabling real-time vehicle customization with dynamic colors, materials, wheels, accessories, and 360° camera controls. Designed scalable backend services with Node.js, Express, and REST APIs to manage vehicle data, product variants, configurations, and business logic. Optimized 3D models using GLTF/GLB, HDR environments, PBR materials, texture compression, and lazy loading to achieve smooth performance across desktop and mobile devices. Technologies React • Three.js • React Three Fiber • TypeScript • WebGL • GSAP • Node.js • Express.js • REST APIs • GLTF/GLB • PBR Materials • HDRI • Git Key Contributions Architected the complete 3D configurator Built immersive real-time vehicle customization Developed scalable backend APIs Optimized rendering performance and asset loading Implemented responsive cross-device experience Delivered a production-ready automotive visualization platform Features Real-Time Vehicle Customization Interactive 3D Visualization Color & Material Selection Wheel & Rim Configurations Accessory & Variant Management 360° Camera Controls Performance Optimization Responsive Web Experience Backend API Integration Scalable Architecture
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Cover image for Interactive 360° Virtual Tour &
Interactive 360° Virtual Tour & Property Visualization Platform Developed a high-performance 360° Virtual Tour & Property Visualization Platform that enables users to explore residential, commercial, and hospitality spaces through immersive browser-based experiences. Users can freely navigate every room, inspect spaces from any angle, interact with hotspots, and access detailed information in real time. Built with modern web technologies, the platform delivers smooth navigation, responsive performance, and an engaging virtual walkthrough experience across desktop and mobile devices. Features 360° Interactive Virtual Tours Room-to-Room Navigation Interactive Hotspots Points of Interest (POIs) Floor Navigation Image & Video Integration Information Popups Guided Tour Mode Full-Screen Experience Mobile & Desktop Responsive Browser-Based Access High-Performance Rendering Fast Loading & Optimized Performance Easy Content Management
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368
Game Developer(1)
SALIKYN ZERO's avatar
SALIKYN ZERO
Islamabad, Pakistan
Full-Stack Web, Mobile & Backend Systems Architect , gamedev
New to Contra
Full-Stack Web, Mobile & Backend Systems Architect , gamedev
Cover image for Hex Heist - 4-Player Combat
Hex Heist - 4-Player Combat Arena & Loot Systems (WORKING PROTOTYPE) Created a fast-paced 4-player arena combat game featuring real-time resource gathering, weapon mechanics, and custom player HUD interfaces. Key Highlights: 4-Player Arena Mechanics: Built synchronized 4-way spawn zones, free-for-all combat logic, and map boundary controls. Resource Gathering Pipeline: Programmed dynamic energy and crystal collection systems tied to central energy beams. Custom HUD & Shop UI: Designed and scripted real-time player stat tracking (Energy, Crystals, Kills) with an integrated in-game shop system. Client-Server State Sync: Written in Luau with optimized replication to handle zero-lag combat events across client connections. Tech Stack: Luau, Roblox Studio, Game Logic Scripting, UI/UX Design, Client-Server Networking.
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Cover image for High-Converting AI E-Commerce Ad: Hydration
High-Converting AI E-Commerce Ad: Hydration Serum Problem: Traditional studio shoots for beauty/cosmetic products are expensive ($3,000+ per shoot) and slow, making it difficult for e-commerce brands to rapidly test multiple video ad hooks on TikTok and Meta. Approach: Created a end-to-end AI visual production pipeline. Generated hyper-realistic macro liquid physics, skin textures, and product lighting using Nano Banana Pro and Leonardo, added camera motion using Kling 3.0, and synced ElevenLabs voiceovers with high-impact 3-second hook variations. Result: Cut visual production cost by 80% while delivering cinematic, 4K-ready video ad assets optimized for scroll-stopping retention and rapid A/B testing. Stack: Nano Banana Pro, Leonardo.ai (http://Leonardo.ai), Kling 3.0, Seedance 2.0, ElevenLabs, CapCut Need high-converting AI video ads for your e-commerce brand? Check out my AI Video Creation Service or send us a message.
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Cover image for Cinematic AI Product Reel: Minimalist
Cinematic AI Product Reel: Minimalist Tech Ring Problem: Hardware and SaaS startups often struggle to explain complex product functionality and premium aesthetics visually within the first 3 seconds of a social video ad feed. Approach: Designed dynamic glassmorphism UI overlays and 3D environment transitions. Utilized Flux and Leonardo for studio lighting consistency, Seedance 2.0 / Kling 3.0 for sweeping anamorphic camera motion, and Claude for narrative prompt generation. Result: Produced a sleek product showcase with high visual polish, zero physical manufacturing overhead, and native social-feed retention pacing. Stack: Leonardo Phoenix, Kling 3.0, Seedance 2.0, Gemini Pro, ElevenLabs,Claude Looking for cinematic AI video reels that stop the scroll? View my AI Video Service to discuss your product reel.
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Cover image for Build a custom 2D isometric
Build a custom 2D isometric game prototype featuring dynamic tilemap rendering, player movement mechanics, and object entity collision handling. Key Highlights: Isometric Rendering Engine: Built custom coordinate translation for smooth 2D isometric grid layout and depth sorting. Player & State System: Implemented responsive character movement controllers, directional sprite animations, and object interaction routines. Asset & Tile Architecture: Integrated modular environment tilesets, tree generation logic, and asset loading pipelines. Realm2D - Isometric 2D Game & RPG Prototype Tech Stack: Java, LibGDX / Custom 2D Engine, Game Architecture, OOP, Tilemap Logic.
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Game Developer(1)
Tehreem Aamna's avatar
Tehreem Aamna
Islamabad, Pakistan
Premium Webflow & Framer Developer for High-Growth Startups
9
Followers
Premium Webflow & Framer Developer for High-Growth Startups
Cover image for Okay so I had literally
Okay so I had literally a couple hours to kill and thought why not try the Easy Lens Challenge 👀 Ended up building "Neon Stack" — a synthwave block-stacking game where you tilt your head to move the platform and stack glowing neon blocks as high as you can before the tower collapses 🕹️✨ Honestly did NOT expect to end up with an actual working game in this little time lol. Just described the vibe I wanted and Easy Lens basically built it for me. Making games used to sound like such a whole process and turns out it's actually kinda easy now?? 😭 Anyway try it and see how high you can stack, don't judge me if you beat my score 👇 #easylenscontra https://www.snapchat.com/lens/e8431a5637674a00b1ef12acf5adebd4?sender_web_id=cc19aaa4-f452-4be4-90c0-ab110504e84a&device_type=desktop&is_copy_url=true
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Cover image for The Dream Journal I'd never touched
The Dream Journal I'd never touched Squarespace before this challenge. I build in Framer and Webflow for a living, so this was genuinely new territory for me — and when I saw the theme "a website makes it real," something about it just stuck. Because that's kind of the whole story of my own work too: an idea sitting somewhere as a half-formed thought until a website makes it undeniable. So I wanted to try building something small around that feeling, a site called The Dream Journal, about all the dreams that stay folded up in notebooks until someone finally gives them a page. A bakery someone still hasn't opened. A brand that only exists as a name on a sticky note. A travel blog that lives in someone's head and nowhere else yet. Life got in the way, honestly. Client work picked up right when I wanted to sit with this properly, so what I'm submitting isn't the finished version I pictured; it's an honest first pass. I used Blueprint AI to get the layout, palette, and fonts down in minutes, which genuinely surprised me with how fast it was, then spent the little time I had left shaping the copy and images around the concept. I'm not submitting this to win. I'm submitting it because I didn't want just to watch this challenge happen and not try; even an unfinished attempt felt better than sitting it out. If nothing else, I walked away actually liking Squarespace more than I expected to, especially for how quickly it turns a rough idea into something that looks real.
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Cover image for To be completely honest, I
To be completely honest, I had never used Renoise before this week. I stumbled upon the challenge, had some free time, and decided to dive headfirst into the tool. My designer brain went completely wild. I spent my first 800 credits chasing massive, cinematic ideas, trying to morph human faces, open magical nature portals, and create a Hollywood-level masterpiece. But AI video is a beast, and after burning through almost my entire budget with distorted results, I hit a wall. With exactly 200 credits left and feeling ready to give up, I decided to stop forcing abstract complexity and embrace what I actually know best as a Webflow developer: grids, interfaces, and structural layouts. What I Made: This 15-second short film is the result of that final, desperate credit run. It starts with a grand, high-budget illusion—a majestic cosmic monolith floating in a deep space nebula, covered in glowing neon matrix data lines. But right when the viewer gets comfortable, the narrative delivers a sudden, meta plot twist. The camera violently pulls back to reveal that this entire grand universe is actually just a flat, disposable image asset block sitting inside a dark-mode visual design interface. A giant white mouse cursor glides into the frame, clicks the universe, and deletes it, leaving nothing but a blank canvas and a blinking cursor. In a way, the twist mirrors my exact experience with the challenge: building up a massive world in my head, only to hit delete and start completely fresh on a blank canvas.
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Cover image for A week ago, I asked
A week ago, I asked myself a simple question: How do you actually train your design eye? As a Webflow & Framer developer, I spend a lot of time implementing design decisions. But I became curious about the thinking behind those decisions and whether my own instincts aligned with experienced designers. So I built EyeCheck. A design perception experiment that explores typography, spacing, hierarchy, color, imagery, and visual judgment through a series of challenges. What surprised me most while building it wasn't which answers people chose. It was how often they disagreed. Some decisions reached overwhelming consensus. Others split almost perfectly down the middle. And those conversations ended up being far more interesting than finding a "correct" answer. Built for the #ConfigMakeathon using Figma. I'd love to know: Which question challenged your instincts the most? 🔗https://eye-check.figma.site/ #ConfigMakeathon #Figma #ProductDesign #WebDesign #UXDesign #DesignSystems
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Game Developer(1)
Asad Jehan Zeb's avatar
Asad Jehan Zeb
Islamabad, Pakistan
Agentic engineer and Shortfilm Creator
Agentic engineer and Shortfilm Creator
Cover image for Gravity Flip drops you into
Gravity Flip drops you into a neon perspective tunnel where your own face is the character, and your mouth is the only control — open it to flip gravity and dodge your way to a higher score. I built it entirely in Easy Lens with no code, combining the Game Creation and Face ML tools: I described the endless-runner loop and the neon synthwave world, wired the face avatar into the tunnel, and mapped mouth-open as the flip input. The rest was iteration — tightening the calibration screen, the scoring, and the difficulty ramp so runs stay short, punchy, and replayable. Tools used: Easy Lens (Game Creation + Face ML Generator) Tag: #easylenscontra
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Cover image for The Museum of Ordinary Objects A
The Museum of Ordinary Objects A quiet gallery where the things people kept — and let go of — are exhibited with the same care as fine art. Most of the objects that hold real meaning in our lives never get preserved anywhere: a childhood toy, a worn kitchen tool, a ticket stub. The Museum of Ordinary Objects gives them a proper home. Users donate an everyday object with a photo and its story, and it joins a browsable public gallery organized into wings — Kitchen, Childhood, Tools, Paper, and Worn Out. Each visitor also gets their own Collection page to manage what they've donated, with full edit and delete control. Built entirely in Bubble, using AI-assisted generation for the page layouts and design system, with custom-configured backend logic for authentication, per-user data scoping, and the wing-based filtering system. https://www.loom.com/share/4417b940f8574e58965641492c80b68f
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Cover image for The Glass Run — a
The Glass Run — a 30-second, one-take AI film built entirely in CapCut Video Studio with Seedance 2.5. A runner sprints through six impossible worlds — desert ruin, dragon-mountain, jungle temple, torchlit hall, neon megacity, and orbit — and he never opens a single door: every glass door stands where no door belongs, each pane carries a faint translucent preview of the world waiting behind it, and he smashes through each one and keeps running. The whole film is one continuous take, no cuts, no dialogue, no music — just the run, the glass, and the reveal that the final room is a drawing. Built from one native 30s generation with 13 reference plates (character, six worlds, seven doors) and a beat-ordered prompt on the canvas. I wanted to prove that a one-take AI film can carry a full arc — foreshadowing through the panes, escalation through the worlds — with the runner as the only constant. youtube post link: https://youtu.be/GecopqcKAPE
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Cover image for Automation that ships. AI engineering and
Automation that ships. AI engineering and email automation for creators, coaches, and teams who want to do more with less.
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Game Developer(1)
Sohail Khan's avatar
Sohail Khan
Islamabad, Pakistan
Cinematic Expert | Unreal Artist | Environment Artist
Cinematic Expert | Unreal Artist | Environment Artist
Cover image for Pestilence
Pestilence
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Cover image for Crazy Frog
Crazy Frog
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Cover image for Dungeon Crawler Cinematic Trailer Creation
Dungeon Crawler Cinematic Trailer Creation
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