Freelance AI Music Producers in Atlanta
Freelance AI Music Producers in Atlanta
Sign Up
Post a job
Sign Up
Log In
Filters
2
Projects
People
Lacy Perry
Alpharetta, USA
Multi-Modal AI Creative Director
22
Followers
Follow
Message
Multi-Modal AI Creative Director
0
"No Kings" Songs, Art Direction, Music Videos
0
3
27
Season's Greetings! I bring you "After the Afters", an irreverent Nu-Disco song inspired by my post-holiday exhaustion. Song designed and generated in @Suno from the visual aesthetic designed in @FLORA , including stills and video (see screenshots of parts of my workflow and iterations). Additional typography and graphics created in @Adobe Illustrator for the Holiday Card and song logo, other edits in Photoshop. Audio mastering in @Bitwig . Music video arranged in @CapCut . My intention for the visual aesthetic and song was tired Disco-era glam. I hope you enjoy it as much I do!
13
27
716
0
3-Hour Fantasy Ambience Video Production
0
4
0
Elder: Photo Manipulation
0
0
AI Music Producer
(2)
Follow
Message
Sam Andruszkiewicz
pro
Atlanta, USA
AI filmmaker & video producer for tech-forward brands.
$10k+
Earned
3x
Hired
5.0
Rating
10
Followers
Follow
Message
AI filmmaker & video producer for tech-forward brands.
0
Spinja Warriors – Big Time Toys
0
9
0
ReMatter is the #1 recycling software in scrap metal. For their conference this week, they needed cinematic visuals that could hold up on massive venue screens, competing for attention in a city where everything is already loud. I built marquee-style ad screens using Nano Banana and Kling. The challenge with large-format event visuals: what looks good on your laptop looks flat at 20 feet. Every frame had to be composed for scale and for silent loop running. 5 days, concept to delivery. These go live this week in Vegas. Would you trust AI visuals on a stage this big?
0
295
0
Qantas Joey Club Adventures
0
1
5
ReSpark: Ad Creative That Looks Like the Yard, Not the Software Scrap-yard owners scroll past SaaS ads. The ads are too clean. Nothing in them looks like the yard the owner actually runs, so the whole thing reads as not-for-me and the click never comes. ReSpark needed the opposite of a software ad. Something that looked like the work. So we opened every spot cold, on the owner's own problem, in his own words. No logo. No interface. No promise. Just the thing he already knows is broken, shot straight back at him. "You're running a million-dollar pile off a clipboard." Two locks carried the campaign. A documentary grade, rust and steel, pulled from the materials in frame. Rust and dust warm, raw steel and shadow cool. The yard, not a showroom. And cinema grammar the category never uses. A Western standoff over a single load. Two trucks, one container, the kind of tension a product demo would never reach for. The pipeline was AI start to finish, anchored to reality. NanoBanana for the hero keyframes. Seedance for the yard, the trucks, the steel. Omni and Veo for the faces and the driving. Every shot tied back to real footage from the client's own yards, so fifteen generated openers still read as one place, not fifteen. Then we built for scale. Fifteen cold-open hooks across three angles. Operations. Multi-yard. Dispatch. Each one a real sequence matched to its line, not a stock shot dropped on top. Fifteen ways into the same campaign, so Performance Max can test, find the winner, and put the spend behind it. Delivered: three 9:16 spots for Google PMax, a fifteen-hook bank to A/B, a locked grade and look the category doesn't have, and a production system that can extend the campaign without ever losing the yard. Ad creative that looks like the work, not the software. Scope: Director and AI production. Format: 3 × 9:16 vertical with 5 variant hooks, Google Performance Max. Tools: NanoBanana, Seedance, Gemini Omni, Veo, anchored to client footage.
1
5
194
AI Music Producer
(1)
Follow
Message
Explore people
