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How Realistic is this ?
We put a plane flying over a popular Bridge in lagos which area don’t have airport to get viewers attention online.
We help brand gain visibility on social media using 3D CGI Ads where anything and everything is possible.
#3d #cgi #fooh #brandsads #brand #ads
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Related posts
New project live on my profile! 🚀
There’s something incredible about taking a static, pre-existing logo and finding its "soul" through motion. For Biid, the challenge was exactly that: translating an established identity into a high-end digital experience.
I’m particularly proud of the result. We didn't just animate; we engineered a custom "echo" effect to make the Lottie/JSON files feel fluid and cinematic without losing app performance.
Amazing!
Why is everyone turning their logos into disco balls? 🪩
Spotify’s anniversary stunt works because it’s rooted in their DNA—it’s music, it’s celebratory, and it’s meant to be temporary. But turning every other logo into a disco ball just to chase a trend? That misses the point of brand identity.
I started thinking: If I were on the Claude design team and tasked with exploring this 3D/skeuomorphism trend, how would I approach it? I wouldn’t force a disco ball. I’d lean into their core identity: refinement and precision.
Meet the "Gem of Wisdom."
I reimagined the Claude mark as a precious gemstone—tactile, multi-faceted, and premium. By treating the logo as an object of value rather than just a flat icon, I wanted to bring it into a space that feels tangible and intentional.
Process: I used Gemini to generate the initial assets and video iterations, focusing on achieving realistic light refraction and depth.
👇 Do you think brands should blindly turn their logo into a disco ball to jump on a trend, or should they adapt the core concept to fit their own unique identity?
For fun, I guess 🤷🏻♂️
Spotify turning its logo into a disco ball for its anniversary restarted the whole “skeuomorphism vs flat design” debate.
So I wanted to test the idea on a real identity system.
This is Orion Project — a personal brand built around observation, navigation, and geometric structure. Instead of presenting the logo flat, I translated it into a physical object: a metallic 3D dog tag.
Built using Omma.build AI as part of the workflow:
• Rapid 3D concept exploration
• Material + lighting tests
• Motion studies to see how the symbol behaves in space
What worked:
AI made it incredibly fast to explore presentation-quality 3D directions that would normally take much longer to prototype.
What didn’t:
Without strong creative direction, the outputs quickly start feeling like generic “AI gloss” instead of intentional branding.
I don’t think every logo needs dimensional treatment.
But for identities rooted in atmosphere, symbolism, or physicality, 3D can communicate something flat systems can’t.
Curious where designers stand on this:
Are 3D logos becoming genuinely useful again or are brands just rediscovering old aesthetics with new tools?
Looks cool!
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